Sunday, April 24, 2011

The Lucksmiths - T-Shirt Weather


Hey, did you folks know it's spring?!

The Mountain Goats - All Eternals Deck


The Mountain Goats used to be John Darnielle. For a while, they were John Darnielle and Rachel Ware. Then they were John Darnielle and Peter Hughes.

Now, they're a band. Jon Wurster joined a couple albums ago, but for the first time they sound like a cohesive unit, and as a result, this is the strongest Mountain Goats release in years. It's fucking wonderful, really. Peter's bass playing is a major highlight, and Jon Wurster sounds forceful behind the kit, instead of the weird timidness found on "Heretic Pride" and "The Life of the World to Come". Weird studio experiments yield tangible beautiful fruit, instead of knob-twiddling(see: the strings on "Age of Kings", the gorgeous barbershop backing vocals on "High Hawk Season"). The Mountain Goats truly are one of the great indie bands now, and they've made a really exciting record.

It's an album about learning experiences, which is a nice bit of meta-commentary, deliberate or not. Judy Garland, Charles Bronson, Swan the Warrior, the Mousterian Neanderthals, these are people who have made mistakes, sometimes deadly and dreadful ones(Yeah, there's a song about each of these people). These are also people who will transcend at some point, become more than the sum of their scars, their failures, and while they may never escape them, something has been gained. The most poignant example of this sort of transcendence comes in "Never Quite Free," a song where the protagonist expresses their happiness at someone else's escape, and subsequent happiness. The overriding joy comes with a profound sense of loss as it is made clear that the speaking character will never find that ind of freedom. The lovely steel guitar only adds to the heart-wrenching nature of the song, and it's one of the strongest moments on the album.

Three minutes is a short time to explain a situation and a character, but on this album, The Mountain Goats have managed to not only do that, but create a sense of motion and a sense of agency for their fictional beings.

Thursday, April 21, 2011

Holy Fever - All Thats Best of Dark and Bright

Holy fucking shit, I am so stoked about this song, this band. It's 3/4ths of the Suicide File, and maybe the bass player from Malbec. I've never listened to Malbec, so that's less exciting for me, but the motherfucking Suicide File is one of my favorite bands ever, so... yeah. Stoked.

"All Thats Best of Dark and Bright" start with the familiar roar of Dave Weinberg, which swiftly tempers into a more punk-ish sneer, with Neeraj's guitars sounding more Hum-ish than I've ever heard. Embrace is not the worst reference point. Neither is Fucked Up. Despite those opening moments, this is not the Suicide File mark II, but a new band, and I'm really really fucking excited to see where it goes. The gang vocals and the contrasting female vocals at the end totally seal the deal. I'm just so geeked.